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Tag Archives: maker culture
VALA2016 Session 5 Ruge
Courtney Ruge
Digital image collections and social media sharing: goals, strategies, and challenges for Australian cultural institutions
VALA2016 CONCURRENT SESSION 5: Warding the Past
Tuesday 9 February 2016, 14:45 – 15:15
Persistent URL: http://www.vala.org.au/vala2016-proceedings/vala2016-session-5-ruge
Courtney Ruge and Tom Denison
Monash University, Vic
Please tag your comments, tweets, and blog posts about this session: #vala16 #s12
Read the paper, view the video of the presentation on the VALA2016 GigTV channel and view the presentation slides here:
- VALA2016 Session 5 Ruge Paper 120.05 KB
- VALA2016 Session 5 Ruge Video 0.00 KB
- VALA2016 Session 5 Ruge Slides 187.03 KB
Abstract
This paper reports on the use of social media in conjunction with digital image collections by Australian cultural institutions. The research draws upon an adaptation of the theory of affordances in examining the goals, implementation, and outcomes of a sample of cultural institutions in using digital image collections in various combinations with social media platforms. The implications and challenges associated with establishing and maintaining a strong presence within the spaces of image-sharing and information-sharing via social media and digital image collections are explored, including examples from the current practices of Australian cultural institutions obtained through a website survey and interviews with industry professionals.
This work is licensed under a Creative Commons Attribution-NonCommercial License.
VALA2014 Plenary 5 Ridge
Bringing maker culture to cultural organisationsVALA2014 PLENARY SESSION 5 Mia RidgeThe Open University, UK Please tag your comments, tweets, and blog posts about this session: #vala14 and #p5 | |
Abstract
Should museums, libraries and archives be places for looking at old stuff other people have made, or could they also be places where new creations are inspired and made? If making – writing, designing, building – is the deepest level of engagement with heritage and culture, how can memory institutions avoid the comforting but deadly trap of broadcasting at the public and instead create spaces for curating, creating or conversing with them?
This work is licensed under a Creative Commons Attribution-NonCommercial License.